May 6 – MAY 23
The Comeuppance by Branden Jacobs-Jenkins – When a group of old classmates meet to pregame their twentieth high school reunion, everyone is nervous for the night ahead. As alcohol and pot help the self-declared “Multi-Ethnic Reject Group” let their guards down, they begin to reminisce about their teenage selves and reveal how their lives have unfolded since graduation. Did their friendships stand the test of time, or will they realize they don’t have as much in common as they thought they did? Brilliantly witty, theatrical, and moving, The Comeuppance focuses on millennials and their reckoning with the world they will soon inherit.
“The Comeuppance is a rich and fully mature work…a haunting new play.” The New York Times

7:30 pm: May 6, 7, 8, 9, 13, 14, 15, 16, 20, 21, 23, 23
2 pm: May 9, 16, 23

SEPT 22 – OCT 10
The Sound Inside by Adam Rapp – When Bella Baird, an isolated creative writing professor at Yale, begins to mentor a brilliant but enigmatic student named Christopher, the two form an unexpectedly intense bond. As their lives and the stories they tell about themselves become intertwined in unpredictable ways, Bella makes a surprising request of Christopher that neither knows if he can fulfill. Brimming with suspense, The Sound Inside explores the limits of what one person can ask of another.
“a stunning character study of someone you’d like to know.” Variety

7:30 pm: Sept 22, 23, 24, 26, 30 & Oct 1, 2, 3, 7, 8, 9, 10
2 pm: Sept 26 & Oct 3, 10

DEC 2 – DEC 19
Russian Troll Farm: A Workplace Comedy by Sarah Gancher – Steve likes Masha; Masha likes Nikolai; and Egor just wants to win a microwave. It’s another day at the office for the workers of St. Petersburg’s infamous (real-life) Internet Research Agency, whose job is manipulating social media to advance Russia’s agenda at home and abroad. Set in the lead-up to the 2016 U.S. presidential election, office comedy meets political satire in Sarah Gancher’s shape-shifting examination of the power, seduction, and danger of a good story. A New York Times Critic’s Pick
“an excellent job of showing us the reality-irreality fault line. Many of us don’t want to remember 2016, or see the way it’s echoed in our current election discourse. But Gancher insists on our deeper reflection, and makes us sit with our memories… a wild dreamscape comedy” New Yorker

7:30 pm: Dec 2, 3, 4, 5, 9, 10, 11, 12, 16, 17, 18, 19
2 pm: Dec 5, 12, 19